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I have seen a bud on a rose-bush gradually, in the course of a few
weeks, unfold its leaves till it became a rose in all its beauty; and,
before I was aware of it, I beheld it blooming in rosy loveliness. The
same thing had happened to Anastasia. Unnoticed by me, she had
gradually become a beautiful maiden, and I was now also a stout,
strong youth. The wolf-skins that covered the bed in which my mother
and Anastasia slept, had been taken from wolves which I had myself
shot.
Years had gone by when, one evening, Aphtanides came in.
Years had gone by when, one evening, Aphtanides came in. He had
grown tall and slender as a reed, with strong limbs, and a dark, brown
skin. He kissed us all, and had so much to tell of what he had seen of
the great ocean, of the fortifications at Malta, and of the marvellous
sepulchres of Egypt, that I looked up to him with a kind of
veneration. His stories were as strange as the legends of the
priests of olden times.
"How much you know!" I exclaimed, "and what wonders you can
relate?"
"I think what you once told me, the finest of all," he replied;
"you told me of a thing that has never been out of my thoughts- of the
good old custom of 'the bond of friendship,'- a custom I should like
to follow.
"How much you know!" I exclaimed, "and what wonders you can
relate?"
"I think what you once told me, the finest of all," he replied;
"you told me of a thing that has never been out of my thoughts- of the
good old custom of 'the bond of friendship,'- a custom I should like
to follow. Brother, let you and I go to church, as your father and
Anastasia's father once did. Your sister Anastasia is the most
beautiful and most innocent of maidens, and she shall consecrate the
deed.
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In, fact, it was the MOON that looked in upon me. He was quite
unchanged, the dear old Moon, and had the same face exactly that he
used to show when he peered down upon me through the willow trees on
the moor. I kissed my hand to him over and over again, as he shone far
into my little room; and he, for his part, promised me that every
evening, when he came abroad, he would look in upon me for a few
moments. This promise he has faithfully kept. It is a pity that he can
only stay such a short time when he comes.
This promise he has faithfully kept. It is a pity that he can
only stay such a short time when he comes. Whenever he appears, he
tells me of one thing or another that he has seen on the previous
night, or on that same evening. "Just paint the scenes I describe to
you"- this is what he said to me- "and you will have a very pretty
picture-book." I have followed his injunction for many evenings. I
could make up a new "Thousand and One Nights," in my own way, out of
these pictures, but the number might be too great, after all.
The
pictures I have here given have not been chosen at random, but
follow in their proper order, just as they were described to me.
Some great gifted painter, or some poet or musician, may make
something more of them if he likes; what I have given here are only
hasty sketches, hurriedly put upon the paper, with some of my own
thoughts, interspersed; for the Moon did not come to me every evening-
a cloud sometimes hid his face from me.
FIRST EVENING
"Last night"- I am quoting the Moon's own words- "last night I was
gliding through the cloudless Indian sky.
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It was New Year's Eve, and the church clock was striking twelve.
"Tan-ta-ra-ra, tan-ta-ra-ra," sounded the horn, and the mail-coach
came lumbering up. The clumsy vehicle stopped at the gate of the town;
all the places had been taken, for there were twelve passengers in the
coach.
"Hurrah! hurrah!" cried the people in the town; for in every house
the New Year was being welcomed; and as the clock struck, they stood
up, the full glasses in their hands, to drink success to the new
comer.
"A happy New Year," was the cry; "a pretty wife, plenty of
money, and no sorrow or care."
The wish passed round, and the glasses clashed together till
they rang again; while before the town-gate the mail coach stopped
with the twelve strange passengers. And who were these strangers? Each
of them had his passport and his luggage with him; they even brought
presents for me, and for you, and for all the people in the town. "Who
were they? what did they want? and what did they bring with them?"
"Good-morning," they cried to the sentry at the town-gate.
"Who
were they? what did they want? and what did they bring with them?"
"Good-morning," they cried to the sentry at the town-gate.
"Good-morning," replied the sentry; for the clock had struck
twelve. "Your name and profession?" asked the sentry of the one who
alighted first from the carriage.
"See for yourself in the passport," he replied. "I am myself;" and
a famous fellow he looked, arrayed in bear-skin and fur boots. "I am
the man on whom many persons fix their hopes.
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He glanced, with a very critical eye, at all the flower-beds,
and found that the flowers were seated quietly and demurely on their
stalks, just as maidens should sit before they are engaged; but
there was a great number of them, and it appeared as if his search
would become very wearisome. The butterfly did not like to take too
much trouble, so he flew off on a visit to the daisies. The French
call this flower "Marguerite," and they say that the little daisy
can prophesy. Lovers pluck off the leaves, and as they pluck each
leaf, they ask a question about their lovers; thus: "Does he or she
love me?- Ardently? Distractedly? Very much? A little? Not at all?"
and so on.
The butterfly did not like to take too
much trouble, so he flew off on a visit to the daisies. The French
call this flower "Marguerite," and they say that the little daisy
can prophesy. Lovers pluck off the leaves, and as they pluck each
leaf, they ask a question about their lovers; thus: "Does he or she
love me?- Ardently? Distractedly? Very much? A little? Not at all?"
and so on. Every one speaks these words in his own language. The
butterfly came also to Marguerite to inquire, but he did not pluck off
her leaves; he pressed a kiss on each of them, for he thought there
was always more to be done by kindness.
The
butterfly came also to Marguerite to inquire, but he did not pluck off
her leaves; he pressed a kiss on each of them, for he thought there
was always more to be done by kindness.
"Darling Marguerite daisy," he said to her, "you are the wisest
woman of all the flowers. Pray tell me which of the flowers I shall
choose for my wife. Which will be my bride? When I know, I will fly
directly to her, and propose."
But Marguerite did not answer him; she was offended that he should
call her a woman when she was only a girl; and there is a great
difference.
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They have
flown off their stalks into the air, and flap their leaves as if
they were little wings to make them fly. Then, if they behave well,
they obtain permission to fly about during the day, instead of being
obliged to sit still on their stems at home, and so in time their
leaves become real wings. It may be, however, that the flowers in
the Botanical Gardens have never been to the king's palace, and,
therefore, they know nothing of the merry doings at night, which
take place there.
I will tell you what to do, and the botanical
professor, who lives close by here, will be so surprised. You know him
very well, do you not? Well, next time you go into his garden, you
must tell one of the flowers that there is going to be a grand ball at
the castle, then that flower will tell all the others, and they will
fly away to the castle as soon as possible. And when the professor
walks into his garden, there will not be a single flower left. How
he will wonder what has become of them!"
"But how can one flower tell another? Flowers cannot speak?"
"No, certainly not," replied the student; "but they can make
signs.
Have you not often seen that when the wind blows they nod at
one another, and rustle all their green leaves?"
"Can the professor understand the signs?" asked Ida.
"Yes, to be sure he can. He went one morning into his garden,
and saw a stinging nettle making signs with its leaves to a
beautiful red carnation. It was saying, 'You are so pretty, I like you
very much.' But the professor did not approve of such nonsense, so
he clapped his hands on the nettle to stop it. Then the leaves,
which are its fingers, stung him so sharply that he has never ventured
to touch a nettle since."
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.on; who, moreover, was worshipped at several places in Euboea, the seat of
Poseidon .g.us; and whom the Theogony calls the son-in-law of Poseidon, and most of the genealogists,
especially Eumelus in the Titanomachy, brought into relation with the sea. There is therefore good reason to be
found in ancient belief, why Thetis called up .g.on of all others to Jove's assistance. The whole of the story,
however, is not detailed--it is not much more than indicated--and therefore it would be difficult even now to
interpret it in a perfectly satisfactory manner.
It bears the same relation to the Iliad, that the northern fables of the
gods, which serve as a back-ground to the legend of Nibelungen, bear to our German ballad, only that here the
separation is much greater still--MULLER.
Homer makes use of this fable, without reference to its meaning as an allegory. Briareus seems to symbolize a
navy, and the fable refers to some event in remote history, when the reigning power was threatened in his
autocracy, and strengthened by means of his association with the people against some intermediate
class.-
-E.P.P.
27. {epaur.ntai}.
28. [A name by which we are frequently to understand the Nile in
Homer.--TR.]
29. Around the sources of the Nile, and thence south-west into the
very heart of Africa, stretching away indefinitely over its mountain plains, lies the country which the ancients
called Ethiopia, rumors of whose wonderful people found their way early into Greece, and are scattered over the
pages of her poets and historians.
Homer wrote at least eight hundred years before Christ, and his poems are well ascertained to be a most
faithful mirror of the manners of his times and the knowledge of his age.
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